Fear and Loathing in Las Vegas

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I find it sad that much of the country bases it's movie selections on the opinions of hacks like Leonard Maltin. I can see why this wasn't a mainstream success due to it's waaaaaay out in left field mentality, but because of all the negativity this great film remains unseen by many. As people come around to the acting genius of both Johnny Depp and Benecio Del Toro (and they will), they will inevitably want to see their earlier works and then, finally, they will see what all the hype wasn't about.

Terry Gilliam absolutely NAILED Hunter's book. The visuals are incredible and alarming. The angles, strange and enticing. I heard that they filmed this movie without a script, just the book in hand. After reading the book, I believe trying to write a script for it could have severly dampened the impact.

Now for the drug use... If you are the type of person who realized that Fight Club wasn't really about the fighting, then you will also realize that Fear & Loathing isn't really about the drug use. According to the big dog movie critics only a stoner will appreciate this movie, which leads me to believe that only idiots become professional movie reviewers.

If you appreciate ground-breaking cinema, truly innovative directing, first-rate acting and are looking for something different... the ramblings of a gonzo journalist could be just the thing.

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Harry Potter and the Goblet of Fire

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Like many of you who purchased the first two ultimate editions at a pretty penny, i was expecting extended editions of movies 3 and 4. What a disappointment! Were the big wigs at WB thinking that their fans would triple dip editions when they bring out all films in one super ultimate collection? I already owned all of the HP on Blu, but sold them when i started buying the Ultimate editions. I will NOT be purchasing 3 and 4. Very poor on WB's part to say its ultimate, and include 8 hours of bonus materials, but not the few extra scenes that regularly show on TV. Very poor indeed.

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James and the Giant Peach

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Roald Dahl's modern classic tells the story of James, an orphan who is treated cruelly by his aunts, until one day a benevolent stranger gives him some magical crocodile tongues -- and then marvelous things begin to happen! With new friends, James discovers that he is resourceful and loyal. He learns to believe in himself and trust in others.

This terrific story is given the treatment it deserves by director Henry Selick and producer Tim Burton (who also made Nightmare Before Christmas together). Stop-motion, live action and special effects combine to bring this incredible story to life, and the effort is dazzling, even though the work is almost a decade old.

The dvd features are marginal at best. While it's nice to have the option of DTS or Dolby Digital sound, the other features do not merit calling this a special edition. You can hear the dialogue in English, French or Spanish, and subtitling is available in Spanish or for the hearing impaired. There is also a 4-1/2 minute featurette, a trailer and a Randy Newman music video. Still photos are categorized as Concept Art (9), Puppets (9), Behind-the-Scenes (36) or Live Action (18), and they can be seen as thumbprints or enlarged. There are trailers for NBX, Toy Story 2 and Lady and the Tramp 2. Menus are a bit clunky.

Great film. Mediocre DVD edition.

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Blind Dating

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The title and cover of this DVD suggest a film that is more fluff than substance. But don't be fooled by these clues. BLIND DATING is a well-written (Christopher Theo), well-directed (James Keach - brother of Stacy Keach and husband of Jane Seymour) story about the coping of the visually impaired, the quirks of Italian and Indian families, brotherhood, and the gamut of finding the right partner in a world of essential blind dating! One of the reasons the movie works so well is the ability of actor Chris Pine to make us believe he is blind and convey the positive manner in which people with impairments may 'view' those around them.

Danny (Chris Pine) was born prematurely and as a result is blind, and as he grows toward age 21 he feels he is unattractive to women. His family is warm, loving and Italian and supportive - especially his brother Larry (Eddie Kaye Thomas) who runs a Limo service and is constantly trying to find Danny his first physical encounter, be that with hookers, girls from the office or neighborhood, or just referrals - each of whom is a disaster when it comes to dealing with a date who is blind! Danny discovers an operation that implants a camera-like contraption in his brain that will allow him the possibility to see again, even if the images are simply black and white and indistinct. In the office of ophthalmologist Dr. Perkins (Stephen Tobolowsky) is a young girl Leeza (Anjali Ray) who is Indian and whose parents have arranged a wedding with a man she does not love. And yes, in time Danny and Leeza are attracted to each other in what appears to be a doomed relationship - for family reasons. Danny has his operation and is able to see some images, but the implant fails and Danny once again is without sight - but far from being without hope, as both his and Leeza's families undergo changes of heart.

There is a sense of love that emanates from the screen, due in part to the script, the direction, and to the acting. Chris Pine is exceptionally fine in a challenging role, finding the balance between courage, comedy, and tenderness that makes his character believable and lovable, and never once making a move that breaks his image as a sightless person. The entire cast is fine, including a hilarious Jane Seymour as Dr. Evans, Chris' therapist with a penchant for disrobing in front of her sightless patient! But the aspect of the film that sets it apart from many is the presentation of everyday type prejudices that can be every bit as hampering as a physical impairment! This is a warmhearted, very human comedy with many messages. Grady Harp, April 08

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Cheatin' Hearts

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James Brolin, Kris Kristofferson & Sally Kirkland give performances of their lifetimes in this wonderfully bittersweet tale of love. Ms. Kirkland portrays the unwanted wife, struggling to come to terms with the facts of her lost love, with beauty and with grace. This is her finest performance since her oscar nominated role as "Anna" in the film of the same name. There is one climactic scene with Ms. Kirkland and Mr. Brolin in the rain which will tear your heart out. Mr. Brolin does a terrific turn as the husband gone wrong, who turns up with a new, much younger girlfriend. And Mr. Kristofferson, always a great actor, never lets us down with his performance. Also, quite notably are the younger actors, most especially, Pamela Giddley. This film is a breathtaker in its cinematography and music, as well, which lend beauty and resonance to this heartfelt story. A must see!!!

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American History X

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How terrifying is it while listening to some of Edward Norton's rants in this movie....that you actually begin to understand his point of view on things? That's a very important aspect of this film. The hatred spewing from his mouth along with statistical evidence and insightful rhetoric places the viewer amist what seems to be an actual white supremicist rally. It becomes easy to see how so many fall into crowds like this with characters like the fictional Derrick Vinyard preaching to the masses. Many people don't like the way the world around them is. They're looking for a change. People like Vinyard offer a path to that change.

But this story is mainly about redemption. The redemption of the character in question, Derrick Vinyard. Only after he loses everything can he begin to see the horrible path that he has beaten for his younger brother who is speedily chasing after him. The unlikely friendship with a black prison inmate and the tutalage of his former principle are what helps him return to his humanity. The simple yet distanced solution to all the hatred and anger that he's felt most of his life comes like an epiphany: "It's just not worth it." A point that he vehemently drives into those around him.

Be forwarned, this is not a happy story. The ending is tragic yet depressingly real. Hatred becomes a vicious circle.

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Pharaoh's Army

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"Pharaoh's Army" defies formula. Instead of selling out for cliches and big stars, it relies completely on the excellent acting from a strong cast, the strength of a well written script, and a fascinating and bitter story. The result is a raw and realistic film that moves along fast, with a heavy emotional current. One of the best I've ever seen about the Civil War, and I think it can owe that to the pleasure of being an independent film (if you like this film, try to see the brilliant indie Civil War film "Wicked Spring" as well).

"Pharaoh" simply tells the true story of a small expedition/forage team of Union men who ride into a Confederate farm to take provisions, but end up stuck there because of an accident of one of the men. Tensions broil and relationships are made and broken. Nothing happens the way Hollywood would write it; this movie comes from the mind of someone who actually cares about quality film and the telling of history. Superb dialogue and plot exposition move along a film that looks highly professional, but often doesn't feel like you're watching a movie, more along the lines of hearing a story.

The film boasts an incredible performance from Chris Cooper who shows an amazing versatility in the exploration of his role. He transforms, but is always at the height of believability and is easy to emotionally relate to. Patricia Clarkson is equally as stellar and realistic in a role that many actresses would crumble in. She shares an interesting chemistry with Cooper's character and where she's the more severe of the characters, is still as easy to identify with. The rest of the cast is quite capable, and fill their roles in well.

The art design and the set are wonderful, and personally I love the cinematography. It all has the feel of a Civil War period photograph with the camera presenting strong contrasting colors and shadows and a tin-like metalic tint, but always keeping the naturalistic look of the rustic setting. They seem to have used natural lighting, but whatever they used works beautifully. Everything looks like it belongs where it is, it feels period, something I find rare in American period films. The actors act 19th century, not like 20th century people in old clothes.

Above all, this film is very personal. I think that as an indie it can afford it. The film is nearly flawless with an outstanding script that effortlessly creates and explores the relationships and personalities of these characters and lets them grow in a situation, as bad as it is. It doesn't fail in getting it's point across, and it gets it's point across without the usual and overused techniques that are used in all war films these days. It's brave. It relies on it's characters, a fantastic script, human emotion, and in the cold hard fact that the Civil War wasn't all CGI, big stars, and hoop skirts.

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