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Few things make me more nervous than when someone has the bright idea to adapt one of my favorite British TV programs into an American version. For every successful translation ("The Office"), there are dozens of failed attempts ("Coupling"). So when I heard that Showtime was preparing to drop "Shameless" with William H. Macy, Joan Cusack, and Emmy Rossum--I got very very scared. Not because of the cast, but because, to me, "Shameless" is a quintessentially British show. The original version is an absolutely lunatic bit of brilliance that has all the elements to be a crashing disaster and yet balances them so adeptly, so audaciously, and so precisely. Instead of pushing into nightmarishly precious, overwrought, and quirky territory--somehow the show succeeds spectacularly. Don't get me wrong--the show is precious and overwrought and quirky--but every bit of it is in a good way.
So how did Paul Abbott do in formatting his original creation for an American audience? I'd say that it's a qualified success. If you've never seen the original program (and let's face it, most people won't have), this incarnation of "Shameless" is likely to seem strikingly different from most American domestic comedy with its unabashed embracing of lawlessness and anarchy. Adhering to the British original, but expanding subplots or introducing them earlier as there are more first season episodes, the version sticks fairly true to the initial plotting. In the first few episodes, the show seems on incessant overdrive slapping you in the face with its over-the-top antics. As such, in my opinion, it lacks a bit of heart, subtlety, and precise comic balancing of the original. Despite its unruliness, the original made you care about its characters from the jump. It takes about half of Season One for the American version to start really developing characters that you might actually want to root for. Once that kicks in, however, you're likely to find that certain elements of the program will get under your skin and really work.
Chronicling the lives of the Gallagher family, "Shameless" introduces us to a wastrel father and his brood of six kids. With mom out of the picture, oldest daughter Fiona (Rossum) has taken up the slack for a largely absent and altogether alcoholic father (Macy). This is a show of survival as the Gallaghers eke out an existence in lower income America. With the assistance of her new boyfriend (Justin Chatwin), this dysfunctional family unit triumphs despite itself. There's much drunken debauchery, plenty of illicit sex, fair amounts of stealing, fisticuffs galore, and even an odd kidnapping--this isn't mild entertainment.
Not worried about "good taste" or "political correctness," Paul Abbott's ingenious creation is a modern family unit unlike any other on contemporary TV. With an impressive, and massive cast, even the supporting characters get their chance to shine. Rossum has been praised for bringing a realness to the lead role and rightly so. For me, the unexpected heart in "Shameless," however, comes from Joan Cusack--a part that might have been painfully awkward is surprisingly tender! Fast-paced, loud, irreverent, crude, disturbing and yet oddly touching when necessary, I absolutely adored the original program and I have come to appreciate the charms of its successor. It took a bit for it to find its footing, but it did. As long as they keep working to ground their characters, the show can only get better. KGHarris, 3/11.
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