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AUGUST RUSH will not go down in history as a profound film: many will even go so far as to dismiss it as kitsch, maudlin, and a simpleton take off on 'Oliver Twist', and other pejoratives. For this viewer the little film is tender and frequently requires suspension of belief, but in the end the idea of the story does indeed bring a tear to the eye.
Based on a story by Paul Castro and Nick Castle and transformed for the screen by Castle and James V. Hart, the premise is that of a fairytale, but an unusual fairytale built around the impact of music. On one magic night in New York City classical cellist Lyla Novacek (Keri Russell) and popular Irish guitarist/singer Louis Connelly (Jonathan Rhys Meyers) meet on a rooftop, languishing in their own disappointments with life and finding solace in each other's arms, and that night Lyla becomes pregnant, never to see Louis again, and struggling to keep her baby despite her father's demands to abort. Lyla delivers her baby boy, but the child is immediately taken away (Lyla is told the child was stillborn). 'Evan Taylor' AKA August Rush (Freddie Highmore) is placed in an orphanage, longing for parents he believes he can 'hear' in the music of the spheres. Compelled to find his parents he escapes the orphanage after eleven years and is taken in by Faginesque Maxwell 'Wizard' Wallace (Robin Williams) who teaches his street urchins the fine art of pick pocketing and playing music on the streets as buskers. Renamed August Rush, Evan has uncommon musical talents and rapidly becomes a big money maker for Wizard while at the same time being discovered as a potential pupil for Juilliard by Reverend James (Mykelti Williamson) and his girl singer Hope (Jamia Simone Nash) with assistance from kindly social worker Richard Jefferies (Terrence Howard). August Rush composes a rhapsody that is to be played in Central Park, a chance to place his music before the world and attract his parents, both of whom have returned to music careers after eleven years absence and learn of the existence of August Rush, their 'unknown son'. And yes, the ending is a happily ever after one...
Kirsten Sheridan directs with a sure hand and a keen eye toward make believe. The cast is strong, especially Jonathan Rhys Meyers, and the musical score, a very mixed bag, provides a suitable background for the story. This is one of those movies that asks us to go along with a lot of improbable events, but the pleasure of the experience is worth the journey. Grady Harp, March 08
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