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Upton Sinclair's epic novel OIL! has been successfully transformed to a film by screen writer/director Paul Thomas Anderson ('Magnolia','Boogie Nights', etc). The film is a long song (158 minutes), covering a fascinating span of time in turn of the century California when oil gained the lure of gold and transformed the land and the people into creatures of capitalism and greed and lust, and were it not for the presence of Daniel Day-Lewis' powerful performance as the man who makes it all happen, the story itself would become tiresome. It doesn't.
Daniel Plainview (Daniel Day-Lewis) is a silver miner in 1898, but soon discovers oil and begins on a mission to become wealthy, owning most of the oil fields from the mountains of central California to the Pacific Ocean. With his medicine man manner of getting people to do what he wants he pursues his greed relentlessly, disrupting small sleepy towns like Little Boston as he gains access to the wealth of the black gold. There are odd characters along the way, such as the evangelist Eli Sunday (Paul Dano) who become crushable clods beneath Plainview's boots. The progress of the story is well known to most: it is the telling of the tale in the hands of wholly credible, completely physically immersed Daniel Day-Lewis that makes the story seem new.
The film's grimy atmosphere is well presented in Robert Elswit's cinematography and the odd musical score by Jonny Greenwood is as ominous as the vantage of Plainview. Greenwood elects to weave classical works into the fabric of the film: when young HW falls deaf after an explosion the silence is partnered by one of Arvö Pärt's 'Fratres', and the film's credits are displayed over the Anne-Sophie Mutter/von Karajan recording of Brahms' Violin Concerto. Strange bedfellows, yes, but entirely appropriate to the overall mood of the film. The journey is long and depressing, but the power of Day-Lewis' performance is magic. Grady Harp, April 08
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